| Pablo Picasso and the Cubism | |||||
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Picasso´s unknown masterpieces, site devoted to the authentication of a previously unknown Picasso. Picasso was probably the only artist who managed to become a living legend after testing all new forms of art though he was not the only one who invented Cubism. Still he had this rare capacity to pick what others had achieved to achieve his own style and be way ahead of other painters. |
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| Picasso, Spanish expatriate painter, sculptor, printmaker, ceramicist, and stage designer, one of the greatest and most influential artists of the 20th century and the creator (with Georges Braque) of Cubism. The enormous body of Picasso's work, including painting, sculpture, works on paper, ceramics, and poetry, remains; and the legend lives on a tribute to the vitality of the "disquieting" Spaniard with the "sombre... piercing" eyes who superstitiously believed that work would keep him alive. For many years Picasso devoted himself to an artistic production that contributed significantly to and paralleled the whole development of modern art in the 20th century. | |||||
Still
Life With Mandolin |
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| Cubism: After Cubism, the world never looked the same
again: it was one of the most influential and revolutionary movements in
art. The Spaniard Pablo Picasso and the Frenchman Georges Braque splintered
the visual world not wantonly, but sensuously and beautifully with their
new art. They provided what we could almost call a God's-eye view of reality:
every aspect of the whole subject, seen simultaneously in a single dimension.
The Cubist movement in painting was developed by Picasso and Braque around
1907 and became a major influence on Western art. The artists chose to break
down the subjects they were painting into a number of facets, showing several
different aspects of one object simultaneously. The work up to 1912 is known
as Analytical Cubism, concentrating on geometrical forms using subdued colors.
The second phase, known as Synthetic Cubism, used more decorative shapes,
stencilling, collage, and brighter colors. It was then that artists such
as Picasso and Braque started to use pieces of cut-up newspaper in their
paintings. In effect Cubism did not come to light at the turn of the 20th Century but was in the air long ago like a formula that several scientists can sense but not find. Picasso had the genius to open the door to Cubism and to carry out an incredible revolution but before coming to that point he also had an incredible appetite for absorbing all known forms of art thanks to his multiple talents. |
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| The Picasso Museum:The Musée Picasso is situated in thecentre of the historic Paris, and it has a collection ofl thousands of works of Pablo Picasso. During the life of Picasso, he created diverse works: painting, sculpture, drawing, ceramics, engraving, and even poetry. After his death in 1973, many of Picasso's works went to the French state, which decided to form a museum with the collection. To house the collection, they chose to use a seventeenth-century hotel, situated in the Marais. This is the Hôtel Salé that was built in 1656 for the general Aubert de Fontenay. Before housing the musée Picasso, the hotel was already well-known. It was leased to the ambassador of Venice, and it became the Central School of Art and Manufacture (and then the School of "métiers d'art"), and finally it was leased to the state in 1975. The restoration of the museum was completed in 1985. Today, there are 203 paintings, 191 sculptures, 85 ceramics, and over 3000 drawings, engravings, and manuscripts in the museum. Besides the personal collection of Picasso, the museum also has some works of Cézanne and Matisse. | |||||
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| Finally Picasso, who was the object of dozens of books and whose “catalogue raisonné” covers 34 volumes, was unique as a result of his immense work as a painter, sculptor, engraver and draughtsman. | |||||
| Picasso was a genius, a man who had art running in his veins but little heart as a common individual as he sacrificed his life for the sake of creation. Nothing else counted, even the many women who fell in love with him. In fact they had become the willing servants of a kind of living god who liked above all to have his ego flattered. Women were simply subjects or objects who nurtured his passion for painting. When he had enough of one he would find another and in every sense of the word Picasso was a vampire | |||||
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