The members of the jury of the Salon, visitors to the exhibitions and buyers demanded interesting factual content to paintings, or humorous but factual pictures. Renoir, in his pictures, tells us little stories, but usually of everyday life in Paris. The impressionists discovered the individual value of the moment, giving expression to everything that is in constant movement. Renoir made observations of the theatre and the circus.
He painted an elegant ballet dancer and two small artist of the Fernando circus. More importantly though, he looked at the audience in the box.
In his picture "The Box" a couple are waiting for the theatre to start. The gentlemen is Edmond his brother. Edmond is sitting behind the lady and his face is obscured by binoculars. The lady, Nini Lopez (a model) is radiant. She has been drawn in a classic posture.
The whole picture is about the charm of the young girl. Renoir showed this picture in the first Impressionist exhibition, but only the art dealer Père Martin bought it for 425 francs.

Pierre Auguste Renoir - Box
Box
Pierre Auguste Renoir
23 in x 29 in
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Two years later, Renoir painted another box. A young girl went to the opera for the first time. In her face, you can see the anxious admiration captured in the posture and the facial expression.

Pierre Auguste Renoir - Swing
Swing
Pierre Auguste Renoir
12 in x 16 in
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Other entertainment for the Parisians, was excursions to the country in the summer. In the Baths, La Grenouillère, Renoir paid more attention to the colours and the light he was seeing than the individual forms of the scenes. "The Walk" and "The Swing" have a romantic air with a game between light and shadow.
Pierre Auguste Renoir - Bather Drying Herself
Bather Drying Herself
Pierre Auguste Renoir
23 in x 29 in
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The most important painting of that period of Renoir is Le Moulin de la Galette, 1876. It is considered to be the most beautiful painting of the 19th century. You get the impression looking at the painting that Renoir had a close relationship with the figures of the painting. Indeed, some of the models were his friends.
The first impression is total disorder, but, the happiness and dancing of the people would be impossible to represent as a classical composition. The contrast between light and shadow is superb. Renoir created a new style of composition with a pyramidal group of three figures at the front, and a system of vertical and horizontal lines: people who dance, people standing up, the trees, the backs of chairs and the lamps.
He put order in the painting using colours. The background is black with blue shine, contrasting with a bright lemon yellow. At the back to the left he uses blues and pinks. The whole painting has been touched with colours of sun and shadow. A real masterpiece.
Pierre-Auguste Renoir - Le Moulin de la Galette
Le Moulin de la Galette
Pierre-Auguste Renoir
28 in x 22 in
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Pierre-Augusta Renoir - Dance at the Moulin de la Galetter
Dance at the Moulin de la Galetter
Pierre-Augusta Renoir
10 in x 8 in
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Pierre Auguste Renoir - First Evening Out
First Evening Out
Pierre Auguste Renoir
15 in x 21 in
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Pierre August Renoir - Au Jardin Du Moulin
Au Jardin Du Moulin
Pierre August Renoir
25 in x 33 in
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